According to the Puranas, Brahma is a self-born from a lotus flower which grew from the navel of Vishnu at the beginning of the universe. Thus comes one of Brahma's names Nabhija
(born from the navel).
Vishnu is the main subject of this magnificent sculpture. He is laying on his back upon the coils of the multi-headed serpent, Ananta Sesha. Vishnu holds his club, a discus and a conch shell. From his navel there is a blooming lotus flower with the Hindu God Brahma seated on it. The four faced Brahma holds a water vessel, prayer malas, and the Hindu holy book, the vedas in his hands. Kneeling at Vishnu's feet is his consort, the Hindu goddess of wealth, Lakshmi. Next to Lakshmi is an attendant of Vishnu. A beautiful sculpture of the Birth of Brahma!About Ananta Shesha
: This enormous thousand-headed snake bears the earth on his head. Traditionally, it was believed that earthquakes were caused whenever the snake moved. Shesha floats on the cosmic ocean and Lord Vishnu reclines on the coil of his tail. This Naga survives even when the entire universe is destroyed. Hence, it is also called Ananta (eternal). Shesha accompanies Lord Vishnu in every incarnation.
Brahma is a part of the holy trinity of Hinduism along with Vishnu the Preserver, Shiva the destroyer and Brahma the Creator. Brahma has four heads and four arms. With each head he continually recites one of the four Vedas. He is shown as having four arms, with none holding a weapon, unlike most other Hindu Gods. One of his hands is shown holding a Sattai, or a horse whip. Another of his hands holds a water-pot or a kamandalu (sometimes depicted as a coconut shell containing water). The significance of the water is that it is the initial, all-encompassing ether in which the first element of creation evolved. Brahma also holds a string of malas that he uses to keep track of the Universe's time. Statues of Brahma are almost as rare as temples to the god of Creation. There are only 2 temples dedicated to Brahma in India. This stems from his mistreatment of his consort Saraswati.
The story of Brahma and Saraswati: In the beginning there was chaos. Everything existed in a formless, fluid state. How do I bring order to this disorder? wondered Brahma, the creator. With Knowledge, said Devi. Heralded by a peacock, sacred books in one hand and a veena in the other dressed in white Devi emerged from Brahma's mouth riding a swan as the goddess Saraswati. Knowledge helps man find possibilities where once he saw problems. Said the goddess. Under her tutelage Brahma acquired the ability to sense, think, comprehend and communicate. He began looking upon chaos with eyes of wisdom and thus saw the beautiful potential that lay therein. Brahma discovered the melody of mantras in the cacophony of chaos.
In his joy he named Saraswati, Vagdevi, goddess of speech and sound. The sound of mantras filled the universe with vital energy, or prana. Things began to take shape and the cosmos acquired a structure: the sky dotted with stars rose to form the heavens; the sea sank into the abyss below, the earth stood in between. Gods became lords of the celestial spheres; demons ruled the nether regions, humans walked on earth. The sun rose and set, the moon waxed and waned, the tide flowed and ebbed. Seasons changed, seeds germinated, plants bloomed and withered, animals migrated and reproduced as randomness gave way to the rhythm of life. Brahma thus became the creator of the world with Saraswati as his wisdom.
Saraswati was the first being to come into Brahma's world. Brahma began to look upon her with eyes of desire. She turned away saying, All I offer must be used to elevate the spirit, not indulge the senses. Brahma could not control his amorous thoughts and his infatuation for the lovely goddess grew. He continued to stare at Saraswati. He gave himself four heads facing every direction so that he could always be able to feast his eyes on Saraswati's beauty. Saraswati moved away from Brahma, first taking the form of a cow. Brahma then followed her as a bull. Saraswati then changed into a mare; Brahma gave chase as a horse. Every time Saraswati turned into a bird or a beast he followed her as the corresponding male equivalent. No matter how hard Brahma tried he could not catch Saraswati in any of her forms. The goddess with multiple forms came to be known as Shatarupa. She personified material reality, alluring yet fleeting.
Angered by his display of unbridled passion Saraswati cursed Brahma, "You have filled the world with longing that is the seed of unhappiness. You have fettered the soul in the flesh. You are not worthy of reverence. May there be hardly any temple or festival in your name." So it came to pass that there are only two temples of Brahma in India; one at Pushkar, Rajistan and the other in Kumbhakonam, Tamil Nadu. Undaunted by the curse, Brahma continued to cast his lustful looks upon Saraswati. He gave himself a fifth head to enhance his gaze.
Brahma's action motivated by desire confined consciousness and excited the ego. It disturbed the serenity of the cosmos and roused Shiva, the supreme ascetic from his meditation. Shiva opened his eyes, sensed Saraswati's discomfort and in a fit of rage turned into Bhairava, lord of terror. His eyes were red, his growl menacing. He lunged towards Brahma and with his sharp claws, wretched off Brahma's fifth head. The violence subdued Brahma's passion. Brahma's cut head seared through Bhairava's flesh and clung to his hand sapping him of all his strength and driving him mad. The lord of terror ranted and raved losing control of his senses. Saraswati, pleased with Bhairava's timely action, rushed to his rescue. With her gentle touch she nursed him like a child, restoring his sanity. Brahma, sobered by his encounter with the Lord of terror sought an escape from the maze of his own desire. Saraswati revealed to him the doctrine for his own liberation. Brahma sought to conduct a yagna, fire sacrifice, to cleanse himself and start anew. In order to conduct a yagna ritual the assistance of a wife is needed. Brahma chose Saraswati to be his wife and thus they were reconciled.
"Use a cotton cloth and gently buff the surface of the statue to bring out the natural polish of the stone."
White, red and black marble statues are easy to take care of as they just need some annual upkeep to keep them looking as they did when they were first carved. Here are some easy tips to keep your White, red and black marble statues from Lotus Sculpture looking like the gods they are:
- Dust the statue as needed to prevent dirt build up
- To make the statue shine use a cotton cloth to buff the sculpture
- You can use a small amount of natural oil such as coconut oil or olive oil to further polish the sculpture
- Use a tooth brush to get into the hard to reach spaces of the sculpture
- DO NOT TOUCH the painted surfaces of any of the white marble statues. This will damage the painting if done often
We recommend keeping our marble statues in an indoor environment. The statues are durable however not durable enough to brave the natural outdoors. Please feel free to contact us directly if you have any questions regarding your wooden statue from Lotus Sculpture, (760) 994-4455 or firstname.lastname@example.org.
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This sculpture is in our Oceanside, California store and ready for immediate shipping to anywhere in the world. If you are in Canada please select "UPS Standard to Canada" for the shipping option. If you are an international customer please select "International Shipping" during checkout. The shipping charge will be calculated as $0. Lotus Sculpture will email you the correct shipping cost subject to your approval or you may call us at 760-994-4455 or email us at email@example.com for a shipping quote. Lotus Sculpture uses Instapak foam injection packing system or bubble wrap and recycled peanuts to ensure that all our pieces arrive undamaged. Click here to learn more about Lotus Sculptures packing.